Previous Works

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“Where Healing Begins”
2025 50 by 50 in | 127 × 127 cm
Acrylic, oil, lacquer, DOT3 brake fluid on canvas

It begins with honesty, and honesty begins in pain.

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“Untitled”
2025
24 by 36 in | 60.96 × 91.44 cm

Charred wood, aluminum, plexi-glass, steel,
aluminum frame

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“Untitled”
2025
27 x 40 in | 68.58 x 101.6 cm

Plexi-glass, blue PVC cement, MDF panel, charred wood,
BoPET (Biaxially-oriented-polyethylene terephthalate),
aluminum, aluminum frame

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“Portrait of Christ”
2025
20 x 30 in | 50.8 x 76.2 cm

India Ink, acrylic paint, GAC 900 on canvas

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“Neopolitan”
2025
58 × 26 × 2 1/2 in | 147.3 × 66 × 6.4 cm

Aluminized OPF/Para-Aramid Blend, OPF (Oxidized Polyacrylonitrile Fiber),
Para-Aramid (e.g., Kevlar®), canvas, acrylic paint,
charred wood, wooden frame
.

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“Portrait of a Great”
2025 55” by 29.5” | 139.7 × 74.9 cm
Thermal label photomosaic and collage, aerosol paint, and acrylic paint on found frame

Crossing over aspects of entities that provide me safety. His thorned crown, my favorite animal, the color pink.

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“A Holographic Photomontage 1960”
2025
11 × 8 1/2 in | 27.9 × 21.6 cm

Ink, PET (polyethylene terephthalate), aerosol paint, aluminum frame

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“Portrait of a Man and a Woman”
2023 55” by 29.5” | 139.7 × 74.9 cm
Thermal label photomosaic and collage, aerosol paint, and acrylic paint on found frame

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“Salvage Title”
2024 55” by 29.5” | 139.7 × 74.9 cm
Thermal label photomosaic and collage, aerosol paint, and acrylic paint on found frame

Crossing over aspects of entities that provide me safety. His thorned crown, my favorite animal, the color pink.

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“Photomontage 1960”
2024 36 × 24 × 1 in | 91.4 × 61 × 2.5 cm
Thermal labels, aluminum frame

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“Portrait of a Man II”
2023 56 7/8 x 31 1/8 in | 144.46 x 79.0575 cm
Acrylic enamel, alcohol paint on canvas

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“Portrait of a Woman II”
2023 57 7/8 x 32.75 in | 147 x 83.18 cm
Acrylic enamel, alcohol paint on canvas

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“Blooderfleye”
2025 30 × 36 × 2 in | 76.2 × 91.4 × 5.1 cm
Alcohol, acrylic paint on canvas.

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“Untitled”
2023 18 x 24 in | 45.72 x 60.96 cm
Thermal paper, aerosal paint, polyurethane,
on wood, MDF frame

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“The State of Fulfillment”
2022 66” by 102”
Alcohol paint, latex paint, on stretched canvas

The State of Fulfillment is a visual reinterpretation of and reference to personally highlighted excerpts from the counterculture bible Be Here Now by Ram Dass; these passages speak of a place that is not a mere flash or flickering of light and fulfillment but an utterly complete state of it. The butterfly portrayed in this piece is a symbol of this state — an emblem of freedom, liberation, clarity, formlessness, limitlessness, and bliss; if the state of fulfillment was one of a country, this would be it’s flag. “Somewhere inside everybody knows that there is a place which is totally fulfilling, not a desperate flick of fulfillment, IT IS A STATE OF FULFILLMENT” The strategic juxtaposition of gleaming black ink and dull black paint in this piece is to initially illude the viewer of pure or relatively pure darkness. The true nature of this painting is quite contrary to said illusion; the matte and glossy layers receive light in different ways, at different times, in different conditions. The purpose of this matter is to galvanize the reality that light is always present — regardless of bluffing darkness; it’s meant to inspire one to always seek light by constantly creating a dynamic in perspective and tweaking their point of view.

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“Butterfleye”
2022 72” by 84”
Alcohol paint, aerosol on stretched tarp

The painting presents us with a butterfly, a creature commonly thought to embody beauty, poise, and metamorphosis. But, here the butterfly is portrayed with eyes upon its wings, raising questions of what is truly real and what is not. The eyes on the wings imply that the butterfly recognizes its own splendor, as well as how it is perceived by the observer, and it can be understood as a symbol for the notion that appearances can be deceiving.

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“Vultus Trifrons”
2022 48” by 96”
Latex, acrylic paint on canvas

"Vultus Trifrons" is a painting that depicts Jesus with three faces symbolizing the Holy Trinity. The painting combines traditional and contemporary styles, evokes a sense of awe and wonder, and reflects my personal spiritual beliefs. It invites the viewer to explore their own relationship with Jesus and the different aspects of his identity and message.

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“Untitled Triptych”
2022 48” by 72”
Aerosol, alcohol paint, and latex paint on wood plank

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“The Man of Man (an homage)”
2022 48” by 72”
Eggshell paint/primer, spray paint, and alcohol paint on canvas

Born and raised Christian, I often found myself a bit too resistant toward the beliefs and religion overall. I was forced by my parents to attend mass every Sunday, weekly bible study, bible school every summer, etc. I had always experienced anxiety regarding the punishment for petty mistakes and vices that apply to all people, that of which might not even actually be wrongdoing; I believed I’d go to hell for acting like a human being. I often found myself intimidated by the priests, art, chapel, and music. As a result of this irrational discomfort I began to run away from the code of Christianity — I even refused to carry out my confirmation, though a lot of the imperative values seemed to stick with me. I never let go of my belief in a God nor did I pursue a “sinful” lifestyle, but I did not claim myself religious in any regard — it hadn’t even crossed my mind for many years. Following a series of daunting psychological experiences (especially those psychedelic-induced) I toured the spectrum of my perception; discovering new outlooks on spirituality, consciousness, and existence. I had lost faith in life itself; I was no longer capable of seeing meaning or feeling purpose in anything at all. It was when I came to the realization that this newfound nihilism was the cause of my despair — and if lack of meaning brings about sorrow then meaning must be restored. During this period I “coincidentally” became intrigued with aspects of the religion; I became in love with the art and extremely fascinated by the architecture of the churches near my home. Seeing a portrait of Christ has always effected me much differently than other art — So I decided to create my own rendition. Following the completion of this spontaneous and very organically conceived piece, I couldn’t stop myself from staring at it. It renders a sense of safety; a restoration of faith. “The Man of Man” is the real artist; painting our canvas of a world, rendering meaning where necessary.

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“Punk Isn’t Dead, She’s Just Blackout”
2022 48” by 24”
Latex paint, alcohol paint, spray paint, spackling paste, concrete, wood, steel fencing, clear coat finish

Just when you thought we lost her, there she comes stumbling out of bed, still fully clothed and intoxicated from last night. Her head starts to pound, so in turn she pounds a shot. She doesn’t remember last night but, she doesn’t care because the night remembers her. She gets in the car, speeds, discards the use of a seatbelt, and desecrates the first of many cigarettes to the blaring volume of her favorite Sex Pistols song. She picks up her friend and does the same, only this time accompanied by an equal force. Her body is destroyed from the substance abuse, but her energy is paradoxical. Her lack of concern is the fountain of youth, she is infinite.

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“Alpha & Omega”
2023 22.5” by 13” | 57.1 × 33.0 cm
Wood stain and polyurethane on constructed wooden box

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“Portrait of a Man”
2022 24” by 72”
Alcohol paint, acrylic paint, latex paint, on canvas

Portrait of a Man is not merely a painting. Every segment of the entire piece collectively illustrates the essence of a man. Beneath the painted depiction of a man lies history. These canvases have seen other works displayed across them; those of which never quite amounted to the truth. They have been something (or someone) else, insufficient, distasteful, etc; as a result of their inadequacy, they were masked and set to try again. The remnants of the past; every blemish, every scuff, every texture, every binding — it’s all a reflection of the triumphs and sorrows of a man. He’s been plain, he’s been vibrant, he’s been gloomy…. He’s been broken and put back together. He thought he figured it out a million times, but it was only the time before the next. All of these circumstances and experiences are attributes to the final product being delivered to the world — a man.

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“Portrait of a Woman”
2022 48” by 72”
Alcohol paint, acrylic paint, spray paint, latex paint, on canvas

This is a portrait of a woman. Beneath the depiction of her is a series of experiences and occurrences that directly contribute to the entirety of who she is. She’s been different in color, in structure, in texture, etc. She’s endured the external forces of the world, those of which she cannot control, but that which defines her is how she responded to those forces. The world threw at her ingredients, lots of which she did not enjoy, but she learned to utilize them and chef the perfect meal to serve the world. She’s been broken, ripped apart, and put back together. Her cuts have been spackled, lashes stapled, and impurities masked. She is the product of her response to that of which she cannot control.

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“The Tinted Window to The Soul”
2022 24” by 72”
Alcohol paint, latex paint, on stretched canvas

"The Tinted Window to The Soul" is a black painting of a set of eyes that aims to explore the complexities of the human experience and the ways in which our emotions and thoughts are reflected in our eyes. The use of black as the dominant color evokes a sense of mystery and depth, drawing the viewer into the painting and inviting them to contemplate the emotions and experiences that the eyes in the painting may be conveying. The title, "The Tinted Window to The Soul," highlights the idea that our eyes are a window into our inner selves, but that the view may be obscured or filtered in some way. This painting invites the viewer to consider the various layers and nuances of the human experience and how they are conveyed through our eyes.

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“A Piece Called Sophie”
2022 48” by 96”
Alcohol paint, latex paint, on stretched canvas

What started as a mere inclination to paint something compelling in appearance transpired the greatest epiphany for the subjects of my art. On one seemingly fruitless search for inspiration I asked myself why I couldn’t think of anything meaningful to paint. I knew I wanted to paint, but couldn’t think of any subject worthy enough. After days of scouring books, films, and the internet for a creative revelation — I found nothing. I decided to reach out to a friend asking where they discover inspiration; they told me to visually remark the aspects of my life. I mentioned that I carry little to no pain, I have no trauma, I have good people in my life that have always treated me well; I wondered if my life was too pleasant to generate good art. They asked me what makes me happy, maybe that’s a better source to draw from. I responded by saying that my greatest passion aside from art is my friends — people. There’s nothing I love more than people; making someone happy is what makes me happy, whether it’s making them laugh, giving them something, taking them somewhere, or even painting them. I had seen this image photographed of my friend Sophie one day and thought it would be nice to flatter her and the image by painting a stippled rendition. As I began the piece I realized it epitomized my true purpose as an artist and person simultaneously; which is having a positive impact on someone. This piece is still a causation of aesthetic, but most of all it’s a compliment to a dear friend. A Piece Called Sophie is plainly the starting point of applauding the beauty and elegance of the people in my life I hold close.

SOLD

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“MAN EATS GIRL”
2022 68” by 104”
Alcohol paint, gesso, oil paint, acrylic, latex paint, oil stick, on stretched canvas dropcloth

He ate her.

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“The Window to The Soul”
2022 96” by 24”
Alcohol paint, latex paint, on canvas

The Window to The Soul’ is a depiction of the most revealing aspect of any individual — that which tells nothing but the truth. Eyes are viscerally motivated; having jurisdiction over their behavior is nearly impossible. Every dilation, every contraction, every tear, every blink — it’s all a reflection of the mind, a revelation of genuine feeling and emotions. Why do we wear sunglasses when there is no sun? For appearance? Maybe — or it’s to dim the projector of truth, drape the nudity of our thoughts, and block access to the most private of domains.

SOLD

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“Jesu 22”
2022 36.25” by 28” | 92.1 × 71.1 cm
Thermal label collage and tape on found frame

The king looks good in pink.

SOLD

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“The Mother of Sorrows”
2022 39.5” by 48.5” | 100.3 × 123.2 cm
Thermal label photomosaic, alcohol paint, framed

A visual representation of the enigmatic fascination toward the intriguing nature of religion.

SOLD

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“They Say We Have Three Faces”
2022 12” by 36”, 24” by 36”, 12” by 36” | 30.5 × 91.4 cm, 61 × 91.4 cm, 30.5 × 91.4 cm
Thermal labels, framed

They say we have three faces. The first, you show to the world. The second, you show to your closest friends, and family. The third face, you never show anyone. It may very well be the truest reflection of who you are.

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“A Swarm of Sight”
2022 32.5” by 51” | 82.6 × 129.5 cm
Thermal label composition on wood plank, framed

In the context of a bee colony; Swarming is the natural means of reproduction. This piece stands as a meta for the notion that swarming thoughts, ideas, and visions are imperative factors for creative reproduction.

SOLD

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“I Said Goddamn!”
2022 26.5” by 29”
Photomosaic thermal label collage on repurposed frame

Mia powders her nose by doing a big line of coke off the bathroom sink. Her head jerks up from the rush.

SOLD

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“Her”
2021 16” by 20” | 40.6 × 50.8 cm
Photomosaic collage on repurposed frame

Also known as “She”.

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“GoGo”
2022 24” by 30”
Photomosaic thermal label collage on repurposed frame

GoGo is a 17 year old assassin and bodyguard with a mere thrill to kill; her schoolgirl outfit is plain irony as she pursued a lifestyle vastly contrastive. This piece is a metaphorical portrayal of the consequential realities attributed to young disturbed minds. Perceiving the downfall of GoGo — be reminded that anger, revenge, and psychopathic tendencies will inevitably lead you to demise.

SOLD

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“Angst”
2022 19.5” by 25.5”
Photomosaic thermal label collage on repurposed frame

Can you feel it? Tell me, can you feel it?

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“A Finished Piece”
2022 41” by 30”
Thermal labels, glass, resin, reflective glass beads, framed

Pretty self explanatory.

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“A Small Rip and Room for Interpretation”
2022 32” by 56”
Latex paint, former artwork, rip (small), frame

By far one of the least controversial pieces of art in history. It doesn’t have too much going on. Any remarks on what the piece is lacking is mere pessimism. Focus on what it *does* have rather than what’s missing; be more appreciative. A small rip for flavor and character, and a plethora of real estate to excite the unlimited possibilities of your mind. You’re welcome.

SOLD

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© CONNOR MEAGER